Category Archives: Diamanda Galás

Diamanda Galás – The Divine Punishment

Diamanda Galás (August 29, 1955, San Diego, USA) is an American performance artist, singer, pianist and composer. Living in New York City since 1989, Galás was born from Greek Anatolian parents, who always encouraged her gift for piano. From early on she studied both classical and jazz, accompanying her father’s gospel choir before joining his New Orleans-style band, and performing as a piano soloist with the San Diego Symphony at 14. During the seventies, she played piano in the improvisational scene around San Diego and Los Angeles with musicians such as Mark Dresser or Butch Morris. She made her performance debut at the Festival d’Avignon in 1979, where she sang the lead role in Vinko Globokar’s opera, “Un jour comme un autre”. While in France, Galás also performed Iannis Xenakis’s work with l’Ensemble intercontemporain and Musique vivante. Galás first rose to international prominence with her quadraphonic performances of Wild Women with Steak Knives (1980) and The Litanies of Satan (1982). Later she created the controversial Plague Mass – a requiem for those dead and dying of AIDS – performed at Saint John the Divine cathedral in New York City. From there, Galás attacked the Roman Catholic church and the society in general for its indifference for the AIDS pandemic. An eerie dark hypnotic album. The Divine Punishment was released on vinyl by Mute Records Ltd. (STUMM 27) in 1986. In 1989 re-released on cd with the “Saint Of The Pit” album, Restless Records (7 71423-2).

Tracks:

  1. Deliver Me From Mine Enemies
  2. Free Among The Dead

Link removed upon request .

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Rhythm & Noise – Chasm’s Accord

Chasm's Accord

Culled from two long-out-of-print records released on the legendary Ralph Records label in the early 1980s, CHASM’S ACCORD catalogues some of the keener exploits sound sculptor Naut Humon and his cohorts crafted to utter disregard in the dimming sunset of New Wave. While many San Franciscans cherished Humon’s surreal and original performances (don’t call them concerts), in the studio Humon etched out some of the most imaginative avant-garde slabs of pre-electronica to come down the pike, wholly original in execution and design. Imagine the sounds behind the imagery inherent in the title “Bent Metal Forest” and you might get an idea of the audio playground: rhythms heard half in REM-sleep, buried beneath cavernous, mysterious sounds that might just be aliens scattering about. This is the stuff of Dali’s far-flung nightmares and visions, realized in beautifully remastered digital clarity. Catch the historical magic that is CHASM’S ACCORD and re-live the mystery of sonic architectures past. Tracks 14 & 15 are from the album “Contents Under Notice”, tracks 1 to 6, 12 are from “Chasm’s Accord”( lp version), the other tracks are unreleased. Featuring Z’EV on track 4 & 17, Diamanda Galás on tracks 5 & 12. Chasm’s Accord was released on cd by Asphodel (ASP 0965 ) in 1996.

Tracks:

  1. Lingering Fingers
  2. Filament In Strata
  3. Delirium Tremens
  4. Bent Metal Forest
  5. Schismatic
  6. Delve
  7. Current Slaughter
  8. Spyral I
  9. Bilge
  10. Slug Path
  11. Alazarn K
  12. Remembrance
  13. Cellar M
  14. Lull
  15. Monomonon
  16. Pluramin
  17. Without Your Eye

“Download”

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